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Source: Bob Daugherty 

Source: This piece was originally posted at The Daily Review

Looking back at it The Hollywood Blacklist and The Hollywood 10 and the so-called House Un-American Activities Committee which was as Un-American as anything they were investigating and perhaps the most Un-American committee we’ve ever seen in Congress, looking back at The Hollywood Blacklist and The Hollywood 10 and the investigations that they were under simply for their ideological beliefs.

Because they were not just Socialists and some of them were simply Socialists and not Communists, but there were also Communists in this community. But they weren’t being investigated for being American traitors working for Communist Russia. They were investigated for being Communists, for having communist beliefs. This was the most extreme form of political correctness that we’ve seen in this country, at least in the 20th Century, because this wasn’t just people getting shouted down because they have what might be extreme political views, or just having political views that offend some political activist community that actually might not be extreme.

Which is today’s version of political correctness that the Far-Left (talk about Communists and Socialists) uses to try to shut up and censor right-wingers who they disagree with. But this is government-sponsored state-run political correctness. That says your (meaning Communists and Socialists) First Amendment rights aren’t as strong as people on the Right and Far-Right, simply because you’re Communists and Socialists.

If they were the KKK, Neo-Nazis, fundamentalist theocratic Christians who believe women’s place is in the home and it should even be illegal for them to work, or gays should be in jail and prison simply for being homosexual, well the argument from the fascist Far-Right would be there that they’re just expressing their First Amendment rights to free speech.

But if you’re a Socialist or Communist who believes in state-run health care and health insurance, having a state-run banking and even energy, but aren’t active politically in the sense that you’re running for office, or even campaigning for any Far-Left political candidates or politicians, or have any affiliations with Communists states, well you’re Un-American according to the fascist Far-Right. Who had this Leave it to Beaver 1940s and 1950s view of what it means to be a real American. Sort of the like 1940s version of the modern Tea Party today.

To put it plainly, political correctness really sucks. The only thing that was Un-American during these supposed investigations of Socialists and Communists in Hollywood, was the House Un-American Activities Committee itself. We have guaranteed free speech rights in America which means you can be on the Far-Left and believe in democratic socialism or even communism and believe that right-wing and perhaps even Center-Left political parties shouldn’t even have the right to exist.

Or you can be on the Far-Right and be a Far-Right Nationalist-Tribalist who believes your culture and faction in the country including ethnicity and race are the true Americans and the only people who will standup for America. And see everyone else as threats to your state and therefor aren’t deserving of the same constitutional rights as your culture and political faction. Or you can be religious theocrat who puts your religious beliefs over everything else including the U.S. Constitution and are so fundamentalist and have so much faith in your religious beliefs that you believe everything else should not only live under your cultural values, but be forced to live under them in some religious theocracy.

Just as long as the Far-Left and Far-Right aren’t violently acting on their beliefs even in an attempt to defeat or eliminate the opposition in order to accomplish their political beliefs. We have a right to free speech and belief, but not a constitutional right to violence short of self-defense. Americans have a constitutional right under the First Amendment to be stupid and even be assholes. Just as long as we’re not violent assholes and physically trying to hurt people simply because we disagree with them or even hate them. Our guaranteed right to free speech and beliefs the ability for every American to think for themselves is as American as anything we’ve ever had in this country and still have.

What’s Un-American are not political beliefs whatever they are, but trying to censor those views simply because you disapprove of them or are even offended by them. If Socialists and Communists want to hold political rallies attacking America with their rhetoric and call America the real evil empire in the world and argue that we’re some materialistic racist corporate state, because we allow wealth and don’t expect government to manage our daily lives for us, they have the guaranteed right to make those arguments and even publish articles, book, produce documentaries. Even if their nothing but great fiction, at best.

If the KKK, Neo-Nazis, want to argue that America is going to hell because of our non-European immigration in the country and that non-European-Americans are Un-American, they have can hold peaceful political rallies, publish articles and books, produce documentaries, making those arguments. And be treated by the public with the public’s free speech rights as the complete assholes that they are.

There’s nothing dangerous about free speech short of people telling others that certain people should be physically harmed, or have their property attacked, be falsely libeled and accused. What’s dangerous is trying to eliminate speech and thought in America simply because you disapprove of what the speaker is thinking and saying. Because the same thing can happen to you by the opposition when they don’t like your politics. The American way to confront speech and politics that you disagree with is to peacefully speak out and organize against it. Make the case as far as why the opposition is wrong. Publish articles, books, produce videos, documentaries, with the best available information that you can get about why the opposition is wrong. Which is as American our great diversity and melting pot that represents the entire world that we all call America.

Bob Daugherty: Mysteries & Scandals- The Blacklist & The Hollywood 10

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Source: Politics and Prose

Source: This piece was originally posted at The Daily Review

I don’t have much to offer about the movie High Noon, as least the original one from 1952. I did however see a movie with the same title from the Lifetime Network (of all places) in I believe 2009. But that is not what this piece is about. (Thank God!) Not a good movie and not trying to cure anyone’s insomnia by talking about the second High Noon movie. Not a good movie and not even very believable.

What I’m knowledgeable about and have read about and seen some documentaries about, is The Hollywood Blacklist from the 1940s and 1950s. Where workers out in the Hollywood industry who actually were Socialists and in some cases even Communists and even supported Communist Russia back then (known as the Soviet Union) but weren’t criminals and didn’t even have official relationships with the Soviet Government in Russia. They were simply on trial for their far-left political beliefs by crooked politicians in Congress who were simply trying to take advantage of the Red Scare and the start of the Cold War between America and Europe, against Russia and their allies in the East.

Hollywood professionals like writer Dalton Trumbo which there was a good movie made about him that came out in 2015 simply called Trumbo, were hauled in front of Congress at the so-called House Un-American Activities Committee simply because of their political beliefs. Not for any laws that they might have broken. But because they were Socialists and Communists who didn’t like the American liberal democratic form of government and instead wanted a socialist or communist state to replace our liberal democratic federal form of government.

The House Un-American Activities Committee, was exactly that which was Un-American. The idea that people could be hauled in front of Congress at first in the House and then later in the early 1950s to the Senate Investigation Committee chaired by Senator Joe McCarthy simply because of their politics and political beliefs and not for anything that they even may have done, is simply Un-American. So what if Dalton Trumbo was not just on the Far-Left in America, but was also a Communist! He was never going to have any political power in America, nor did he ever want any. And the Communist Party was never going to have any political power in America simply because they’re Communists and are illiberal. And oppose most of the liberal democratic values that most Americans love, like free speech and free elections, property rights, right to privacy, just to name a few.

Whether you’re a Communist on the furthest Left in American political or a Christian-Theocrat or Nationalistic-Tribalist on the furthest right in American politics, you have a right to believe what you believe. And express your beliefs in public and try to make the case for what you believe in public. Which is as American as our melting post and individualism. Which is what the so-called Red Scare of the 1940s and 1950s which is what this nationalistic anti-communist movement opposed and tried to eliminate from American life.

Politics and Prose: Glenn Frankel- High Noon: The Hollywood Blacklist & The Making of a Classic

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Source: Lloyd Laney 

Source: This piece was originally posted at The Daily Review

I believe what made Susan Hayward such a great actress was how real she was which allowed to her seem like she wasn’t acting. She almost had this “I have nothing to lose attitude so I might as well do things my way.” Which I guess is understandable because of how she grew up and was raised. Coming from an immigrant community in a very poor part of New York. And was taught very young or perhaps just learned herself that if she’s going to accomplish anything in life because of how she’s starting out she’s going to have to earn everything and work very hard. Because nothing will be given to her.

Sort of reminds me of how Richard Nixon started out in life coming from a very poor part of Southern California and yet he is elected to the U.S. House of Representatives in his early thirties and the U.S. Senate just two years later, Vice President of the United States by 39 and never had to worry about money the rest of his life. People appreciate things more in life when they earn them because they know what it’s like not to have much and don’t want to go back there. Which I believe is what kept Susan going for as long as she was able to and literally becoming not just one of the best actresses of her generation, but ever.

Not to get too political especially in piece about Classic Hollywood but Susan Hayward represents exactly what American exceptionalism is. That no matter your race, ethnicity, gender, how you were raised and the income level of your parents, if you have real talent, skills, and a strong work-ethic, you’ll make it in America. Susan Hayward’s lack of a start in life and having nothing to start of with and her father never making enough money for his family to live well and they always being in poverty, only made Susan work harder and be able to accomplish more on her own. Because she hated poverty so much that we was going to work as hard and be as successful as she possibly can.

Susan was finally able to finally enjoy life instead of worrying about will she have enough food to eat that day or will she homeless and other things that most Americans who don’t live in poverty take for granted everyday. I believe Susan’s upbringing and how real and honest she was contributed to her being the great actress that she was. Because she knew too well what poverty and going without was like and when she was acting it was like she wasn’t acting or pretending at all, because of how real she was.

I believe Susan Hayward was one of the first great dramatic comedic actresses. And what I mean by that is not someone who can do both drama and comedy well someone like a Sally Field today who is still one of the funniest people in Hollywood and has still has great comedic timing, but who is also a very good if not great dramatic actress. But Susan was someone who brought comedy to her dramatic roles and could combine both genres into one role and be dramatic and funny at the same time. The movie I’ll Cry Tomorrow where she plays a great but alcoholic actress, is an excellent example of that. Where she was cracking wisecracks with the perfect timing as she was playing a drunk with a really bad case of alcoholism.

Susan was so real as an actress and had a knack for playing women who were struggling and did that so well, because she wasn’t playing. She knew exactly what it was like to struggle in life and would take those parts and literally turn into the women she was playing, because she knew exactly what it was like to struggle in life. Which is what I believe made her a great actress. Which I believe is also what lead to Susan’s downfall and why she dies in 1975 in her late fifties because everything in life was such a struggle for her and she didn’t take enough time to actually enjoy what she accomplished in life.

Lloyd Laney: Susan Hayward 1998 Biography

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E Entertainment- Susan Hayward

Source: This piece was originally posted at The Daily Review

When I think of Susan Hayward I think of great dramatic comedy actresses who are real-life drama queens. Similar to Ava Gardner, women who had a tendency to play parts that were close to home. Susan Hayward had a habit of playing women who were going through really tough experiences and were even scorned and somehow make it through those experiences until they’re hit so hard at the end which is what finally brings them down.

Susan Hayward played alcoholics, Susan was an alcoholic. Susan played women who were depressed and consumed a lot of sleeping pills and other medication just to try to get through life. Susan consumed a lot of sleeping pills and antidepressants. I believe what made Susan such a great actress and again very similar to Ava Gardner is she played women who were a lot like her. Very beautiful, really adorable, quick witted, very intelligent, and very honest.

As one of the men in this video said there was no bull or baloney with Susan Hayward. And I would have used much stronger language than that. You knew where you stood with her and how she was feeling all the tine. And again we’re talking about one of the best actresses ever, so could have easily hided her feelings if she wanted to and played pretend and fooled a lot of people. But again what made her such a great actress was that she was so real. And you always knew what she was going though, how she felt, and how she felt about you.

If you’re looking for good Susan Hayward movies to check out this weekend on in the future, I could give you several, but if you’re really interested in Susan Hayward herself and what she went through in life, then I have a few movies that will give you a great idea of why she was a great actress.

I Want To Live, where she plays a death row inmate the true story of Barbara Graham. Barbara was also a women who went through horrible experiences in life and had some real bad men in her life and ended becoming a criminal herself. Whether she was actually guilty of the murder she was convicted of in the end is a different story.

Where Love Has Gone from 1964 which I believe was made based on the life of Lana Turner and how her boyfriend ends up dying in that relationship because her daughter ends up killing him. Susan plays a women in Where Love Has Gone who has an abusive boyfriend or at least a man with a bad temper and goes off one night and Susan’s daughter comes in and shoots the man.

I’ll Cry Tomorrow where Susan plays a starlet who drinks too much and is overly medicated. Again very similar to the life that Susan lived herself.

Imagine how much more dramatic real-life would be if we had a lot more Susan Hayward’s in and out of Hollywood. Imagine what life would be like if you always knew where you stood with people. You would really know if someone liked you or disliked you. You would really know if someone loved you or hated you. If you were doing a good job or about to get fired. But at least you would know where you stood in life and how you stood with other people and be able to make the necessary adjustments or continue to do what’s working before something bad happened to you or you went off course.

That is the life that Susan played in the characters that she played and the life she lived. Which makes her very unique in Hollywood where everything is generally about appearances and make believe and where Hollywood imitates real-life too much and people outside of Hollywood are more interested in appearances instead of reality.

Suzy Reinhardt: Mysteries and Scandals- Susan Hayward

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Source: The Film Historian

Source: The Film Historian: Susan Hayward Biography

Susan Hayward was so adorable, a beautiful baby-face sweetheart and a hell of an actress. She was as great of an actress as she was to look at. So pretty and adorable at the same time and could always crack a joke and make people laugh. I believe very similar to Ava Gardner in that way, but not as beautiful. But both were very beautiful, adorable even in an immature way at times when they didn’t get their way and funny as well. I believe had she lived longer Susan would have ended up doing soap opera and perhaps even prime-time soaps like Dynasty or Dallas, which is what Joan Collins and Elizabeth Taylor did on Dynasty in the 1980s. Because she was so adapt at bringing drama and being very dramatic and mixing in wise cracks and making people laugh at the same time. She was the constant entertainer when she was working or not working.

Just saw two Susan Hayward movies this last week. Two of her best movies in Where Love Has Gone from 1964 with Mike Connor and Betty Davis. And I Want To Live, where she plays convicted murderer Barbara Graham who was convicted of murdering one of her partners in crime (I know that sounds lame) in the 1950s and gets sentenced to death in California. She plays a women who is on death row and she ends up having almost everyone in the movie hoping she gets her sentenced commuted to life without parole, because no one wants to see her die, because she knows how to treat people and is so sweet and adorable and real and knows she’s lived a bad life and is a career criminal. But ends up having a lot of people fighting for her life and getting her off of death row.

Where Love Has Gone, is basically a two-hour soap opera. Lots of sarcasm which is perfect for a movie where the stars are Susan Hayward, Mike Connors and Bette Davis. This movie (I at least believe) is based off of the Lana Turner-Johnny Stompanato relationship in the 1950s. Where Lana’s daughter Cheryl ends up killing Johnny who was an Italian mobster, because she believes Johnny is trying to kill her mother Lana. In Where Love Has Gone Susan’s daughter in the movie (played by Joey Heatherton) kills her mother’s boyfriend, because she believes her mother is spending too much time with him and her mom is not spending enough time with her. It’s a classic Susan Hayward movie, because it’s heavy on the drama and even soap opera and yet a movie with a lot of quick humor in it.

Susan Hayward I believe was a great dramatic-comedic actress. And not necessarily someone who could do both drama and comedy, because of course she could. But that she was adept at combining both genres in one movie. Very similar to Alfred Hitchcock, but as an actress and not as a director. She just had a great personality and was very real with her work and characters and always had the audience believing that she was exactly who she was playing. And not some actress pretending to be someone else. And had she not have died from radiation poisoning in the 1970s I believe she would be talked about today as the great dramatic-comedy actress that she was. And getting the attention for being as beautiful and adorable as she really was.

 

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Sunset Boulevard

Source: This piece was originally posted at The Daily Review

I don’t like using the word-perfect that often, because perfect is almost never seen and heard of, but Sunset Boulevard along with North by Northwest, is about as close to a perfect movie as anyone could ever see.

Great plot about a young almost wannabe screenwriter who at this point is desperate for work, so he can make his car payment. Whose on the run from repossessors and stops off at what he believes is an abandoned house only to discover that one of the top actress’s ever in Hollywood lives there. Which is how Joe Gillis (played by William Holden) meets Norma Desmond, (played by Gloria Swanson) otherwise they probably never meet each other. Joe Gillis, is considering giving up Hollywood and going back to Ohio and getting a blue-collar job. Norma Desmond, hasn’t worked in a while and the Hollywood studios no longer want her.

Norma Desmond, finds out that Joe Gillis is a Hollywood writer, struggling at that and owes three months back rent on his apartment, as well as a car he can’t afford. She knows he needs money, which is what she has plenty of and needs a job, which she has one for him. She’s not working now as an actress and doesn’t have any roles coming her way and decides to write her own script and get back into movies that way. And hires Joe to be his proofreader and to fix up her script so someone would take it and make a movie from it. Joe, is not impressed with the script so far, but believes he can work with it. Still has friends in Hollywood and has one his friends Betty Schaefer (played by Nancy Olson) help him rewrite the script and they work on it together.

Norma Desmond, is lonely and desperate to get back into movies and doesn’t want to live off her royalties and investments. She wants Joe to perhaps help her get back into the movies, but what I at least believe she’s looking for is male companionship and believes her script will get her back into movies. I don’t think it is ever clear that she thinks Joe Gillis, someone who she’s never heard of who can’t afford either his apartment or car and hasn’t worked in a while, is a talented writer and someone who has a future in Hollywood. Joe, needs a job obviously as well as money and I see them as basically using each other to meet their short-term interests. I don’t see them as a writing team that is going to write their own movie together.

Gloria Swanson, has just turned 50 at this point and so has her character in Sunset Boulevard. But Hollywood already sees her has washed up and way past her prime. Gives you an idea of how Hollywood sees the world different at least in the 1940s and 1950s than the rest of us. And in many ways this movie is pretty sad, because it shows how Hollywood treats its stars once they believe they no longer have any use for them and almost treat them like strangers and as people they don’t want to be seen with anymore. Gloria Swanson, is her beautiful and brilliant self now playing someone who s past her prime, but as an actress she still has everything going for her and is still the star of the movie. Bill Holden, is his usual charming and even funny self who mixes in clever humor in a very serious if not dark and depressing, but a great movie.
Paramount Movies: Sunset Blvd. 1950 Trailer

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Anita Ekberg, Frank Sinatra, Dean Martin, Ursula Andress

Anita Ekberg, Frank Sinatra, Dean Martin, Ursula Andress

Source: This piece was originally posted at The Daily Review

To be completely honest with you, I only saw 4 For Texas and really only like it because Anita Ekberg Ursula Andress are in it and both look great in it. Anita Ekberg, Marilyn Monroe without the childish immature baggage of Marilyn and yet physically almost as adorable and might even be sexier. Because similar body and yet she comes off as a grown up. The same thing with Diana Dors, who is probably comparison with Anita than Marilyn. Not as familiar with Ursula, other than as Cat Woman from Batman, but she’s also a gorgeous sexy baby in this movie. Frank Sinatra and Dean Martin, are both funny in this movie, but what else is new, especially when they’re together. And they both have goddess’s for girlfriends. Frank, has Elya Carlson (played by Anita Ekberg) and Dean, has Maxine Richter. (Played by Ursula Andress) Good luck finding a movie where either Frank and Dean weren’t in where they weren’t working with a goddess.

As far as the movie, Frank and Dean, both play bank robbers in Texas. Both going after the same hundred-thousand-dollars that is being transported by stagecoach in the 1870s in Galveston, Texas. Both have dreams of opening up their own casinos and going straight. (So to speak) The problem is they both want the same hundred-grand and don’t want to share it. Another problem that they have is that there’s this outlaw named Matson, (no first name given) who is after the same money. So Zach (played by Frank) and Joe (played by Dean) decide to become partners temporarily to knock off the Matson Gang. Again this is not a great movie, but because of the four stars in it and then add Charles Bronson and Victor Buono, the Three Stooges make a cameo and you’re talking about a very entertaining and even funny movie. But without Anita Ekberg and Ursula Andress, I’m probably not watching much of it.
Move Clips Trailer Vault: Four For Texas Official Trailer

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